In Gillian Flynn’s Gone Girl, on the anniversary of the flawless Dunne couple, Amy Dunne goes missing. The entire town searches for the poor woman and as her disappearance does not leave a logical trace, all eyes turn to Nick Dunne, the husband, who has been acting strangely throughout the process of the disappearance of his wife. The novel is formatted in an unconventional manner. The narrative is told by Nick’s perspective, and also through Amy’s old diary entries, both revealing different aspects of the crumbling dynamic of their relationship. Although Nick appears suspicious, the reader is unsure on whether to trust his words or not, as he is the main narrator.
I find Nick quite unlikeable. I prefer to read Amy’s entries, but I do recognize he offers an insightful take on the situation. I usually don’t enjoy reading thrillers, but I am enjoying this one. What I particularly like about Gone Girl is its wit. The observations are very sharp. The language is shocking, raw, and brutally honest, which makes it an enjoyable read. Additionally, I really like that this thriller also focuses on the characters and not simply on its plot.
I am not very far in the story, but I am intrigued to discover what is to come. I am very hopeful about this and looking forward to the “Cool Girl Monologue” that this book is famous for.
One thought on “Everywhere to Look, Nothing to Find”
I think the perspective switching sounds very interesting. Especially since on perspective is a diary .